Paul Mills
We’re also grateful for a beautiful score by Paul Mills, who continues to compose inspiring themes that touch the heart.
— Alex Kendrick, director Overcomer
Jon and I have had the treat of working with Paul Mills on several projects. He just has the unique ability to know what each scene needs. What we want to communicate through the story, he’s able to communicate the exact same thing musically. He has a real gift to put his artistic touch on our stories.
— ANDY ERWIN, ERWIN BROTHERS FILMS, CO-DIRECTOR WOODLAWN
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OPENING AUGUST 23RD!

MUSIC BY PAUL MILLS

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The Composer

Paul Mills is a multi-award-winning composer that has scored music for 15 feature films including the critically acclaimed Woodlawn and the #1-rated inspirational film, War Room, for which he won an ASCAP Screen Music Award in 2016.

…allowed us to better savor Paul Mills’ beautiful soundtrack.
— Amanda Read, THE DAILY CALLER on Woodlawn
Paul Mills … whose delicate score is one of the movie’s many pleasures …
— Jim Ridley, NASHVILLE SCENE on Still Breathing
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Portfolio

Paul’s feature film scores and soundtracks include Overcomer, I Can Only Imagine, Woodlawn, Against the Sun, Run the Race, War Room, Palau, Still Breathing, Indivisible, Kill the Man, October Baby, Valiant, Molot, and One Generation Away in addition to other shorts, documentaries, and other projects.

 
 

 

Technically, STILL BREATHING percolates with zesty flourishes; John Tomas’ luminous cinematography and Paul Mills’ tangy music are perfect tones for this luscious romancer.
— Duane Byrge, HOLLYWOOD REPORTER
The musical score composed by Paul Mills is epic in scale and adds much dramatic, emotional depth to the story.
— Curtis McParland, ChristianAnswers.net on Woodlawn
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Trailers

 
 

The soundtrack, cinematography, and acting coalesce to form a picture-perfect vision of what love should — and can — be. Delicious, giddy, and delightfully sly, Still Breathing is the best romantic comedy of the Nineties thus far.
— Marc Savlov, AUSTIN CHRONICLE
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News

 
We were on a crazy deadline with the music and received 5.1 music mixes from Paul which we plugged into our mix while we were on the recording stage. He did a spectacular job mixing so we only went back to the individual stems that he delivered for a couple of places. We did have full Stems of everything. There were at least 10 stems per music track. High strings, low strings, bass, percussion, etc.
— Nick Palladino, NPAL Audio, Juniper Post, Burbank, CA with re-mixer Michael Kreple on War Room
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Contact 

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